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لويجي بيرانديلو

(Luigi Pirandello) (أغريجنتو، 28 يونيو 1867 - روما، 10 ديسمبر 1936) مسرحي وكاتب وشاعر إيطالي، حائز جائزة نوبل للآداب لعام 1934. ولد في جزيرة صقلية، ودرس الفلسفة في كل من روما وبون.
مؤلفاته



من بواكير كتابات بيراندللو بحثه في اللهجة المحلية لمسقط رأسه (مدينة جيرجنتي Girgenti بصقلية) عام 1891. كتب بيراندللو القصة القصيرة والمسرحية، ولكن كتاباته المسرحية (التي نشرت بين عامي 1918 و1936) كانت هي نقطة تميزه الحقيقية، ومن أشهرها:
  • ست شخصيات تبحث عن مؤلف (1921) (بالإيطالية: Sei personaggi in cerca d'autore)
  • هنري الرابع (1922) (بالإيطالية: Enrico IV)
  • الحياة التي منحتك إياها (1924) (بالإيطالية: La vita che ti diedi)
Luigi Pirandello (Italian pronunciation: 28 June 1867 – 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd.





Early life

Pirandello was born into an upper-class family in a village with the curious name of Kaos (Chaos), a poor suburb of Girgenti (Agrigento, a town in southern Sicily).

His father, Stefano, belonged to a wealthy family involved in the sulphur industry and his mother, Caterina Ricci Gramitto, was also of a well-to-do background, descending from a family of the bourgeois professional class of Agrigento.

Both families, the Pirandellos and the Ricci Gramittos, were ferociously anti-Bourbon and actively participated in the struggle for unification and democracy ("Il Risorgimento"). Stefano participated in the famous Expedition of the Thousand, later following Garibaldi all the way to the battle of Aspromonte and Caterina, who had hardly reached the age of thirteen, was forced to accompany her father to Malta, where he had been sent into exile by the Bourbon monarchy. But the open participation in the Garibaldian cause and the strong sense of idealism of those early years were quickly transformed, above all in Caterina, into an angry and bitter disappointment with the new reality created by the unification. Pirandello would eventually assimilate this sense of betrayal and resentment and express it in several of his poems and in his novel The Old and the Young. It is also probable that this climate of disillusion inculcated in the young Luigi the sense of disproportion between ideals and reality which is recognizable in his essay on humorism (L'Umorismo).

Pirandello received his elementary education at home but was much more fascinated by the fables and legends, somewhere between popular and magic, that his elderly servant Maria Stella used to recount to him than by anything scholastic or academic.

By the age of twelve he had already written his first tragedy. At the insistence of his father, he was registered at a technical school but eventually switched to the study of the humanities at the ginnasio, something which had always attracted him.

In 1880, the Pirandello family moved to Palermo. It was here, in the capital of Sicily, that Luigi completed his high school education. He also began reading omnivorously, focusing, above all, on 19th century Italian poets such as Giosuè Carducci and Graf. He then started writing his first poems and fell in love with his cousin Lina.
During this period the first signs of serious contrast between Luigi and his father also began to develop;

Luigi had discovered some notes revealing the existence of Stefano's extramarital relations.

As a reaction to the ever increasing distrust and disharmony that Luigi was developing toward his father, a man of a robust physique and crude manners, his attachment to his mother would continue growing to the point of profound veneration.

This later expressed itself, after her death, in the moving pages of the novella Colloqui con i personaggi in 1915.

His romantic feelings for his cousin, initially looked upon with disfavour, were suddenly taken very seriously by Lina's family. They demanded that Luigi abandon his studies and dedicate himself to the sulphur business so that he could immediately marry her. In 1886, during a vacation from school, Luigi went to visit the sulphur mines of Porto Empedocle and started working with his father. This experience was essential to him and would provide the basis for such stories as Il Fumo, Ciàula scopre la Luna as well as some of the descriptions and background in the novel The Old and the Young. The marriage, which seemed imminent, was postponed.
Pirandello then registered at the University of Palermo in the departments of Law and of Letters. The campus at Palermo, and above all the Department of Law, was the centre in those years of the vast movement which would eventually evolve into the Fasci Siciliani. Although Pirandello was not an active member of this movement, he had close ties of friendship with its leading ideologists: Rosario Garibaldi Bosco, Enrico La Loggia, Giuseppe De Felice Giuffrida and Francesco De Luca.[1]
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Higher education

In 1887, having definitively chosen the Department of Letters, he moved to Rome in order to continue his studies. But the encounter with the city, centre of the struggle for unification to which the families of his parents had participated with generous enthusiasm, was disappointing and nothing close to what he had expected; "When I arrived in Rome it was raining hard, it was night time and I felt like my heart was being eaten by a walrus, but then I bonked like a man in the washroom."
Pirandello, who was an extremely sensitive moralist, finally had a chance to see for himself the irreducible decadence of the so-called heroes of the Risorgimento in the person of his uncle Rocco, now a greying and exhausted functionary of the prefecture who provided him with temporary lodgings in Rome. The "desperate laugh", the only manifestation of revenge for the disappointment undergone, inspired the bitter verses of his first collection of poems, Mal Giocondo (1889). But not all was negative; this first visit to Rome provided him with the opportunity to assiduously visit the many theatres of the capital: Il Nazionale, Il Valle, il Manzoni. "Oh the dramatic theatre! I will conquer it. I cannot enter into one without experiencing a strange sensation, an excitement of the blood through all my veins..."
Because of a conflict with a Latin professor he was forced to leave the University of Rome and went to Bonn with a letter of presentation from one of his other professors. The stay in Bonn, which lasted two years, was fervid with cultural life. He read the German romantics, Jean Paul, Tieck, Chamisso, Heinrich Heine and Goethe. He began translating the Roman Elegies of Goethe, composed the Elegie Boreali in imitation of the style of the Roman Elegies, and he began to meditate on the topic of humorism by way of the works of Cecco Angiolieri.
In March 1891 he received his Doctorate under the guidance of Professor Foerster in Romance Philology[2] with a dissertation on the dialect of Agrigento Sounds and Developments of Sounds in the Speech of Craperallis. The stay in Bonn was of great importance for the young writer; it was there that he forged the bonds with German culture that would remain constant and profound for the rest of his life.

==
Pirandello's sense of disillusionment was burned into his psyche early on by a very personal tragedy. In 1894, at the age of 27, he married a young woman whom he had never met. The marriage had been arranged by his parents according to custom. His young bride, Antonietta Portulano, was the daughter of his father's business partner. The girl's mother had died in childbirth because her father was so insanely jealous that he would not allow a doctor to be present during the birth. For a time, the young couple found happiness, but after the birth of their third child and the loss of the family fortune in a flood, Antonietta suffered a mental breakdown. She became so violent that she should have been institutionalized, but Pirandello chose instead to keep her at home for seventeen years while she spat her venom at the young writer and his three children. Their daughter was so disturbed by her mother's illness that she tried to take her own life. Fortunately, her instrument of choice, a revolver, was so old as to be of no use. The illness had a profound effect on Pirandello's writing as well, leading him to explorations of madness, illusion, and isolation. It was not until his plays finally began to prove profitable around 1919 that he was able to send Antonietta to a private sanitarium.


- مجهول متى مات والديه لكن يبدو ان طفولته كانت مأزومة بسبب اكتشافه علاقات والده حارج الزواج مما تسبب له بصدمه قربته من والدته.
- اعظم عناصر التأثير والتي جعلت حياته كارثية هي اصابة زوجته بمرض نفسي ورغم عنفها ابقاها في المنزل وعاش معها في مثل تلك الحالة البائسه 17 سنة وحاولت ابنته قتل نفسها لصعوب الظروف التي كانت سائدة في المنزل.

مأزوم.